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Do you show the user's hands down where their physical hands are? Do you show the user's hands up at the ends of the tools? Are they, like, puppeteering some hands? Or are they their hands?

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Particularly in the early days of VR, it wasn't clear how to present to someone their hands - in a way we're tracking these controllers, but, what are your hands? If you think about the Vive wands and where you hold them, it's sort of down below on the wand, and there's this big crown up top where all the sensors are. Mitchell: You know, one thing that really developed over the course of the game that we didn't know that we were going to succeed at, necessarily, was hand presence. Is there a thing you're striving for the most or you still feel like you're getting to? Those two things go really well together.Дo you see limits to VR? Or do you see a dream of where you want people to end up feeling comfortable? In the end, it is like learning a new language? We're all kind of rethinking these controls. It's a good match, the Half-Life universe, in terms of the expectation of a lot of physics gameplay, and VR. We really want to make it serve the game as much as possible. We don't want to go there with VR, and make it cheesy and ham-fisted.

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I'm sure you've been into stereo 3D movie theaters where they go out of their way to poke you in the eye with a pool cue or some cheesy thing. There's just so much more interesting input abilities from a game design perspective. VR obviously is that way, with just the super-high fidelity that you get from the tracked headset, but probably even more so from the tracked hands, the six degrees of freedom that you gain. Anytime you have a shift in input/output methods, you have an opportunity as a game designer to go and explore a bunch of really new ideas. Or, were you just approaching it like 'I just want to make the best thing possible'? I was curious how much you imagined a lot of what you're doing in terms of furthering the idea of VR interaction. Valve is a big pioneer in VR, but this is Valve's first major VR game.

I mean, obviously, at this point, we're really still focused on finishing this up and haven't made any decisions like that yet. We had a heck of a lot of fun making this one I wouldn't be surprised if we wanted to make some more. Mitchell: Well, it's entirely possible that we will visit this IP again. And the first thing I felt when I came here was, this is just like in Episode Two.Дo you consider this a Half-Life game like all the others, or, do you ever imagine a Half-Life 3 in addition to this? to enter a different dystopia.Д«enson: I always find it funny because, when I first came here - the Valve office, I don't know if you've been to the office - it's pretty high up and you get a good panorama, and one of the views you get is these trees that sort of circle you everywhere you look. Here's the rest of our conversation, edited lightly for clarity.Д¬NET: The weirdest thing - what hits me is the strange thing of Half-Life: Alyx being set in this futuristic or retro-future dystopia, and I'm escaping a dystopian situation. Read more: Playing Half-Life: Alyx in a real-life dystopia 'Yeah, we are in the quarantine zone, God help us,' Benson said, making a half-joking reference to the game, and reality itself. 'We're hunkered down,' said Mitchell, when I asked if he and his team were OK.

#Half life no cd professional

Like any current conversation, professional or personal, it started with a round of status updates.

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I spoke to animator Jay Benson and software developer Jason Mitchell, both of whom worked on the Half-Life: Alyx team. That didn't happen, for obvious reasons, but I've been playing the game from home, and got to interview a couple of Valve's developers via Skype about the breakout VR game, the first new Half-Life game in 13 years, and what could come next. What will the future of Half-Life beyond Alyx bring?ДЄ few weeks ago, I had planned to visit Seattle to tour Valve's headquarters and preview Half-Life: Alyx.